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Axel Hutte's "Ghosts and Reality": A Visual Journey

Explore the captivating world of Axel Hutte with "Ghosts and Reality," a collection of photographs that transcends the boundaries of reality. This thought-provoking volume offers a glimpse into the artistic prowess of Hutte, a distinguished member of the Düsseldorf School, trained under the tutelage of Bernd Becher and his esteemed colleagues. With a focus on the Italian landscape, this collection invites you on a visual odyssey that captures the essence of both Venice and the Tuscan-Emilian Apennines.

Unveiling the Artistic Legacy

"Ghosts and Reality" showcases two compelling series of photographs, each highlighting different aspects of Hutte's artistic vision. The first series retraces the author's journey from Germany to Italy, reminiscent of the historic Grand Tour, showcasing the majestic Alpine passes and the rugged Apennine peaks. The second series delves into the enchanting city of Venice, capturing the grandeur of its palazzos through a blend of color and black-and-white photography. This volume is a testament to Hutte's ability to convey the ethereal beauty of the Italian landscape and its rich cultural heritage.

Key Features and Benefits

Features:

• Exclusive collection of previously unreleased photographs
• Trained under Bernd Becher and other renowned artists
• Two distinct series: a journey through Italy and an exploration of Venice
• Combination of color and black-and-white photography

Benefits:

• Immerse yourself in the beauty of Italian landscapes and architecture
• Gain insight into the artistic techniques of the Düsseldorf School
• Perfect for art enthusiasts, collectors, and photography aficionados

With "Ghosts and Reality," Axel Hutte invites you to experience the convergence of art and reality, offering a unique perspective on the world around us. This exquisite volume is not just a collection of photographs; it is a journey through time and space, a celebration of the human spirit, and a testament to the power of visual storytelling.