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The Concept of Originality in Copyright Law

In the realm of copyright law, the term "original" is crucial for the existence of various claims, yet it remains undefined within the law. This book delves into the intricacies of the "original" concept, examining previous definition proposals and relevant case law. It also explores other legal domains and the art market to further refine the definition. With a particular focus on modern art forms, this comprehensive study provides a clear and nuanced understanding of the term "original" across various artistic mediums, including prints, sculptures, photographs, digital art, restored works, and collaborative creations.

Key Features and Benefits

This work offers a unique blend of theoretical analysis and practical insights. It explores the originality concept from multiple angles, ensuring a comprehensive understanding of its application in copyright law. The book addresses the following key points:

• Examination of existing definitions and legal precedents
• Analysis of the originality concept in various art forms
• Inclusion of modern art forms and digital art
• Discussion of the originality of restored and collaborative works

By providing a detailed exploration of these aspects, the book equips readers with the knowledge necessary to navigate the complexities of originality in copyright law.

Target Audience and Practical Applications

Whether you are a legal professional, artist, or simply interested in the intersection of art and law, this book offers valuable insights. It is particularly beneficial for:

• Attorneys specializing in intellectual property law
• Artists seeking to understand their rights and protections
• Academic researchers in the fields of copyright and art law

The book concludes with a proposed definition of "originality" that addresses the challenges and complexities presented throughout the text. This practical and insightful resource is essential for anyone seeking a deeper understanding of the concept of originality in copyright law.