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Reception of Luigi Pirandello's Plays in the German-speaking World

This comprehensive work delves into the reception of Luigi Pirandello's theatrical works within the German-speaking community. Serving as a valuable contribution to translator and theater studies reception research, the study offers a detailed exploration of the reception of three key dramas: Sechs Personen suchen einen Autor, Heinrich IV, and Die Riesen vom Berge. Focusing on specific reception phases and the intricate relationship between stage translation and staging, the research uncovers significant high points in the reception of Pirandello's works during times of cultural and artistic uncertainty, such as the 1920s, 1960s, and 1990s.

Key Features and Benefits

Comprehensive Analysis: The study provides a systematic examination of how stage translations contribute to the reception of Pirandello's works, offering insights into the complex interplay between text and performance.

• Chronological Receptions: A detailed chronology of the reception of the selected dramas over time.
• Interplay of Translation and Staging: Insightful analysis of how translations shape the staging of Pirandello's plays.

Unique Perspective: The research highlights the unique aspects of Pirandello's umorismo and how it has been selectively received by the German-speaking audience, providing a nuanced understanding of cultural differences in humor and theatrical style.

Practical Applications and Impact

Utilizing this research, scholars, translators, and theater enthusiasts can gain a deeper understanding of how cultural contexts influence the reception and interpretation of literary works.

• Scholarly Contributions: The study makes a significant contribution to the field of translation studies and theater science.
• Practical Insights: Offers practical insights for translators and directors seeking to stage Pirandello's works effectively.

Whether you are a scholar interested in theater studies or a translator looking to understand the nuances of cultural translation, this work provides invaluable insights into the reception of Luigi Pirandello's plays in the German-speaking world.